~ Manuscript evaluation
~ Developmental / structural editing
~ Line editing
~ Writing coaching / Book coach
~ Query letter review
~ Copy editing
~ E-book & print formatting

Self-Edit Your Fiction, five weeks online, beginning October 31

How to Get Published: Agent & Editor Q&A, Saturday, October 29, 9:30 a.m. to 12:30 p.m.
Query Writing Workshop, Saturday, November 19, 9:30 a.m. to 12:30 p.m.
New York Pitch Conference, December 8 through December 11
Publish & Promote Your Book Conference, Sarah Lawrence College, Saturday, June 24, 2017
Preparing Your Pitch, Friday, June 23, 2017, 7:00 p.m.
*Sign up here to be notified when 2017 registration opens.*

About Caitlin

During eleven years at Random House, I acquired and edited upmarket fiction, women’s fiction, historical fiction, suspense, romance, and narrative nonfiction, in addition to advising on trade paperback acquisitions and reading group content. I’ve edited New York Times bestsellers such as The Year of Fog by Michelle Richmond, Homer’s Odyssey by Gwen Cooper, the Nina Wilde/Eddie Chase series by Andy McDermott, and David Gibbins's Jack Howard series, as well as RITA Award winners for Best Historical Romance His At Night and Not Quite a Husband by Sherry Thomas, Thriller Award-winning and Edgar Award-nominated suspense novels by Tom Piccirilli, the critically acclaimed literary novel Butterfly’s Child by Angela Davis-Gardner, What Happened to My Sister by Elizabeth Flock, The Little Coffee Shop of Kabul by Deborah Rodriguez, The Four Ms. Bradwells by Meg Waite Clayton, and Becoming Marie Antoinette by Juliet Grey.

Recent and forthcoming freelance projects include With Love from the Inside by Angela Pisel (acquired by Putnam), Biglaw by Lindsay Cameron (acquired by Ankerwycke and optioned to Paramount), Oil and Marble by SG Storey (acquired by Skyhorse), The Widow’s Guide to Sex and Dating by Carole Radziwill (acquired by Holt), and books by New York Times bestselling indie authors Vi Keeland and Jasinda Wilder and USA Today bestselling author Caroline Fyffe.

In addition to freelance editing for independent authors, agents' clients, and publishers, I taught the Novel Writing Master Class at Mediabistro for five years and currently teach at the Sarah Lawrence Writing Institute.

The Baller by Vi Keeland The Butterfly Garden by Dot Hutchison The Temporary Agent by Daniel Judson Written in Fire by Marcus Sakey An Invisible Client by Victor Methos Broken Grace by EC Diskin The Book of James by Ellen Green Cold Black Earth by Sam Reaves The Einstein Prophecy by Robert Masello Tier One by Brian Andrews and Jeffrey Wilson Enemy by K Eason Outlaw by K Eason New Charity Blues by Camille Griep West Winds of Wyoming by Caroline Fyffe Under a Falling Star by Caroline Fyffe St. Nick by Alan Russell A Cold War by Alan Russell When Shadows Come by Vincent Zandri Walk Into Silence by Susan McBride The Night Is Deep by Joe Hart The Body Reader by Anne Frasier Forever and Always by Jasinda Wilder Left Behind by Vi Keeland Kissing Under the Mistletoe by Marina Adair With Love from the Inside by Angela Pisel Biglaw by Lindsay Cameron Oil and Marble by Stephanie Storey Gilded Cages by Ellen Jones The Fourth Figure by Pieter Aspe Jinxed by Kathryn Leigh Scott The Waiting Room by Laura Markovitch Butterfly's Child by Angela Davis-Gardner The Year of Fog by Michelle Richmond Homer's Odyssey by Gwen Cooper The Little Coffee Shop of Kabul by Deborah Rodriguez The Four Ms. Bradwells by Meg Waite Clayton What Happened to My Sister by Elizabeth Flock The Last Kind Words by Tom Piccirilli Not Quite a Husband by Sherry Thomas The Boleyn King by Laura Andersen